The Sinking City 2 is a huge improvement over its predecessor. It trades much of its detective-focused identity for a tense and atmospheric survival-horror experience that wears its Resident Evil, Silent Hill and Dead Space influences proudly.
Syberia Remastered is nice to look at, yet painful to play. Best appreciated as a piece of gaming history, not as something you’d actually want to play today.
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It’s a tricky job reimagining one of Agatha Christie’s classics, but this new version of Death on the Nile manages to bring a certain ‘je ne sais quoi’ to the table.
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Echoes of the End serves up some creative platforming, puzzle-solving and exploration in a gorgeous Icelandic-inspired world.
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These days, gamers have never had so much choice. While it’s contributed to gaming’s undoubted growth, it has also resulted in there being arguably too many options.
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The Drifter is a uniquely Aussie mystery that’s dripping with style, tension and strong voice work.
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A triumphant blend of co-op gameplay, diverse genres and solid storytelling; Split Fiction makes every moment fresh and exciting.
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This reboot of Where in the World is Carmen Sandiego? has failed to modernize its lauded 80s formula, offering only a repetitive and shallow experience that leans too heavily on nostalgia without enough depth or innovation.
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Indiana Jones and the Great Circle blends stealth, satisfying combat and classic adventure puzzles in a globe-trotting, action-packed journey.
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Bloober Team have triumphantly maintained the essence of Silent Hill 2, all while adapting its gameplay and graphics for today’s audience.
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